Format: digital (available worldwide through most online and streaming services)
Release date: 12/16/2014
Originally released on the Richmond-based label Dry County in 2004, the 10th anniversary reissue of Clairaudience for Electric Cowbell Records has been remastered for a more optimal listening experience.
This Is I.S.A.R. (Investigative Sonic Apparition Research Laboratories) So begins a sonic journey that leads listeners through a series of sound-surveillance portraits of sonic apparitions channeled in Plasmodium’s sound lab. The concept is set against a neo-crime jazz backdrop with a dizzying array of drum loops, keyboards, electronically manipulated trumpets, hard-boiled voiceover, robot voices, and found sound. Paranormal sound investigators, Bobby Pinz and Paylord St. James, employ the psychic phenomenon of clairaudience to receive messages through music from other frequencies and realms.
Clairaudience spins a range of musical fictions, from “Tristay” and its reverbed rockabilly lament to the paranoid psychedelic dirge rock of “Space Eye.” The daily indignities of hapless convenience store clerk “Clive Buckledown,” recited in a deadpan, detective-story monotone over sensuous electric piano loops, recall the psycho jazz rap of MC 900 Ft. Jesus or Ken Nordine’s word-jazz monologues. In a more Cagean mode, the sound collage “Rethinking the Raven” presents echo-treated field recordings of a suburban smart guy spouting increasingly ridiculous, palsied nonsense syllables into fast-food drive-up intercoms. In “Dr. Octobongopus” a bored lounge MC introduces the stage act of a polyrhythmic, multi-armed, bongo player in a routine that is pure deadpan surrealism.
Veterans of the Virginia music scene centered around Richmond and Charlottesville, the members of Plasmodium had an interesting provenance: Bob Miller played with the salsa orchestraBio Ritmo, while Jim Thomson drummed in the 80s for the Mad Max-ian, nuclear mutant hardcore outfitGWAR and spaz-psych instrumental rockers,The Alter Natives, who released several records on SST Records. The group played a handful of shows in art galleries and performance spaces in Richmond and Charlottesville, Virginia during their brief career between 2000-2004, with one sound installation at theRencontres Internationales in Berlin in 2004.
Plasmodium: Bob Miller (trumpets, flugelhorn, keyboards, sound manipulations) and Jim Thomson (drums, percussion, sound manipulations, and voice)
Guest musicians: Paul Watson – guitar (Sparklehorse), Matt Heyner – double-bass (No Neck Blues Band, TEST), Jon Sullivan – electric bass (Jack’s Mannequin) Gabo Tomascini – bata drums (Bio Ritmo, Spanglish Fly)
IN OTHER NEWS:
We also launched Multiflora Productions this year! Multiflora is a Washington, DC based music booking and production agency. Showcasing an eclectic mix of international and local artists and an all-encompassing refined palette, Multiflora is dedicated to providing an ideal concert experience for both performers and listeners. Basically we’re booking shows, booking bands, and promoting shows in and around DC but also up and down the Mid Atlantic region in the US. Check out the new website to see what we’re up to. Just click the picture below.
And if you’re in NYC during the APAP conference this January, you simply must come to our showcase at Drom on January 10. Barbes and Electric Cowbell Present Secret Planet. It’s a great line-up this year! Click the picture below for more information.
And lastly visit us at Indpendent Grand for some great record shopping! Independent Grand is a collaborative vinyl webshop and virtual warehouse brought to you by the owners of Names You Can Trust, Electric Cowbell Records & Concent Productions. The aim of Independent Grand is to provide a 1-stop shopping destination to help combat some of the recent & evil USPS postage hikes by offering a greater amount of stock to customers. As the new rates reflect, bundling multiple records saves greatly on postage, most especially for those overseas and in Canada.