San Francisco power-pop band Cocktails will release their third album ‘Catastrophic Entertainment,’ on July 1st via Berlin-based Alien Snatch! Records and their own imprint Wizards & Potions Records.
Cocktails waste no time in cutting right to the hooks immediately on their new record. Case in point: The album’s lead track “Bun E. Carlos” which is now streaming here: https://cocktails.bandcamp.
While the song title references the iconic Cheap Trick drummer, it’s more about the summertime feel-good vibe that sets the tone for much of this record.
Main singer and songwriter Patrick Clos says, “It’s almost like a fantasy we all (or at least Cocktails) long for right now (especially given the current pandemic times): traveling the world, playing music, finding love, drinks with friends, beating the shit out of a drum set. Simpler times.”
Catchy Moog leads are running directly into catchy guitar leads with plenty of call-response vocals and boy/girl harmonies throughout. During the bridge we hear Clos sing: “We’ll leave our problems back in the U.S.A – It’s all f#*ked anyway…” A bleak sentiment that also hints at an escape or some bit of hope. As to where that escape may be, we’re not quite sure, but for now the melodies embedded in this track will carry us through.
‘Catastrophic Entertainment’ is full of fuzzed-out melodies, catchy choruses, sticky guitar riffs, and pop-rock heaters. Produced and mixed by the band, the album relies heavily on what Cocktails does best: bluntly bashing out well-crafted pop songs.
When Clos teams up with lead guitarist Joel Cusumano (Sob Stories), synth/vocalist Lauren Matsui (Seablite), bassist Rob Goodson (Re-Volts), and drummer Phil Lantz (Neutrals) it just hits a little different: the result has a certain kinetic nervous energy – an audible adrenaline rush.
Clos describes the new record as “a raw and dirty monster of a pop record.”
“We’re a scrappy power pop band at heart, but we’ve never quite fit in nicely,” he explains, “a little too poppy for a punk thing, and then we’re always rocking too hard to be an indie-pop band. For ‘Catastrophic Entertainment’, we just wanted to lean into that as much as possible and be ourselves, just trying to let new ideas happen.”
As it happened, the odd pop misfits have created a powerfully unique and solid full length.
With tracks like the twangy pub-rocker “Washoe County” or the Moog heavy stoner-jam “Buried Alive,” the band flexes its versatility. On “Love Is Gone,” a falling out of love with the City break-up song, Lauren Matsui crushes the lead vocal performance. Cusumano contributes the punchy glam-rock stomper in “Janeland.”
The common thread between these 11 songs that play out like a choose-your-own-adventure experience is the pop craftsmanship put into the songs and the lack of pretension. Cocktails may no longer be the new kids on the block at the power pop game, but with ‘Catastrophic Entertainment,’ the band have taken their own sound to a new level, making it known they belong in the genre’s heavyweight division.
Additionally, Cocktails has contributed a cover of Fountains of Wayne’s “Sink To The Bottom” to Father/Daughter Records’ Adam Schlesinger tribute album ‘Saving for a Custom Van,’ released June 5th, exclusively via Bandcamp. The band appears alongside other artists like Nada Surf, Apex Manor, Jeff Rosenstock, Motion City Soundtrack, Rachel Bloom, Charly Bliss, Kay Hanley, Ted Leo and many more.
Pre-order ‘Catastrophic Entertainment’ limited-green vinyl here:
*Vinyl pre-orders Include unlimited streaming of ‘Catastrophic Entertainment’ via Bandcamp, plus high-quality download in MP3, FLAC and more.
“…a damn fine pile of hooks…”- The Bay Bridged
“Recalling the likes of Teenage Fanclub in their most radiant form…”- Gold Flake Paint
“San Francisco quintet Cocktails makes power pop music that its forebears would be proud of. Molded in the image of bands like The Rubinoos, The Records, and Shoes, Cocktails bring melody, harmony, and guitar rock in equal measures. It’s fun, happy, and musically satisfying.”- Under The Radar
“…effortlessly catchy power-pop…”- SF Weekly
“…mix radiant power-pop enthusiasm and crisp West Coast textures. Breezy, hummable… Crack open all surrounding windows and press play.”- Spin
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