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Mexico rocks Coachella with music sin fronteras

For the first regional Mexican bands played at Coachella – along with a lot of Latin bands. Golden Voce is follow
ing the trend in American music—Latin

While everyone was focused on the last minute dropout of Kanye West and the quick substitution of The Weekend and Swedish House Mafia at Coachella, something was happening below the top lines of the festival poster – regional Mexican bands and Latin Acts, including those singing only in Spanish, were scattered throughout the program.

Near the top was  Banda MS, from Mazatlán, a frequent vacation spot for those of us in Central Mexico and one I have visited, although not for a vacation. The MS in the band’s name stands for the state of Michoacan – the state across Lake Chapala from me – and the state of Sinaloa.  They got the packed crowd moving with El Mechón”, their first hit, and  continued  from there.

Banda MS got people dancing and waving Mexican flags with songs like ” El Color de Tus Ojos” y  “Hermosa Experiencia” and  bit  of “Qué Maldición”, originally recorded with Snoop Dog. The 50-minute set was also driven by their hit songs  “Por Mí No Te Detengas”, “Ojos Cerrados” and “Háblame de Ti” , much to the delight of the crowd who seemed to know the lyricspretty well, at least from the YouTube videos I have watched (I wasn’t there).

Also on Weekend 2 was Groupo Firme, from Tijuana, who energized a screaming crowd of thousands with their hit “El Toxico”.  And Sunday of course was the Coachella debut of Natanael Cano,  who combines  rock, rap and pop and the Mexican story-telling genre, corridos.   Ed Maverick from  Chihuahua  brought  his singer-songwriter folk, alternative and rock music mashup music to Coachella on Sunday, making it a great day for Latin music.

Other Latin acts, both in English and Spanish, include Karol G, Niki Nicole, Anitta, Alaina Castillo, Nathy Peluso, and the Latin-Canadian Jessica Reyes  along with American- Mexican bands Chicago Batman, Cuco, Ela Minus, Omar Apollo, Pabllo Vittar, and The Marias .

So why all the Latin and Mexican bands this year? And why three Mexican regional bands – not national icons, – at Coachella this year? 

Just look at the numbers. MRC, which tracks music trends in a joint project with Billboard, revealed  in its 2021 Year End Report that Latin music consumption in the U.S.  grew by  21.1% ( total album consumption) in  2021 more than any other core music genre.  The number of Latin albums bought and streamed in the US hit 48.2 million, up from 39.8 million in 2020, making Latin music the #5  most-consumed music genre in the U.S.

According to the Report, the consumption of Mexican and Latin  music last year was concentrated in states with high Hispanic populations, not surprising since all of the high Latin music-consuming states except Florida were Mexico until 1848 and  the Treaty of Guadalupe Hidalgo.

But don’t get the idea that so many Latin bands are  at Coachella and other mainstream festivals because they appeal to a growing Latin population  ; they do, but they are alsothere for  everyone.  Whether it is Bad Bunny, Karol G,  The Marias, or anyone playing reggaeton,  the audiences are mixed culture.  And all-Spanish lyrics  are not a deterrent – people love the Latin beats even if they only catch a few words of the lyrics.

Mexican/Spanish  music has been around the US since  before there was a US – in the 1500’s in St Augustine and later in the  1760’s when colonists from Mexico introduced the guitar, six-course vihuela, and smaller four-string  and five-string instruments into the southwest  of what is now the US.  

By the1930’s a string of Mexican-programmed radio stations in California’s Central Valley were playing norteño and mariachi for farm workers. On the other side of the country, Cuban music landed in New York City in the 40’s with Arsenio Rodríguez, Desi Arnez and  later, La Lupe. During the rock revolution Latinos were there with songs like “La Bomba”, and “Tequila”, and bossa nova.

 It is no wonder that the regional Mexican band Groupo Firme sold out Staples Center in LA 7 nights, only one night shy of the record set by Adele. We have been listening to Mexican and Latin music all our lives.

Nor it is difficult to understand why American music audiences – especially  younger fans – rock out to Mexican regional music.  They have grown up with Latin beats in the background, with friends from Latin America or who are  Mexican-Americans  or even Dreamers who immigrated from Mexico as children….and who brought their music with them.

So the regional Mexican acts and the many Latin musicians on the bills at Coachella are not ground-breaking or trend setting – they are  following the audience, and represent another footstep in the history of music sin fronteras – music without borders.

Patrick O’Heffernan

BLASTMUSIC247.COM

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About Patrick O'Heffernan, Music Sin Fronteras (348 Articles)
Patrick O’Heffernan, PhD., is a music journalist based in Mexico, with a global following. He focuses on music in English and Spanish that combines rock and rap, blues and jazz and pop with music from Latin America, especially Mexico like cumbia, banda, son jarocho, and mariachi. He is also edits a local news website and is a subeditor of a local Spanish language newspaper. Check out his weekly column Music Sin Frontera on Sunday nights.

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