Singers of all styles and backgrounds are coming out of the indie channels and taking over the narrative of pop music in the last few years, and on the R&B/crossover end of the spectrum, players like Manny Cabo are trying to redefine what it means to be a purist in the genre.
Cabo is a pop singer in the classic sense of the term, leaning on nothing more than a firm instrumental backdrop when forging something heartfelt and wholesome with his lyrical content. His new single “Paint the Gray,” which was written by the talented Bonnie Warren and Clayton Jones, takes the very notion of building a song around a climax alone and throws it out the window before we hit the halfway point in the track; for what he’s built in this release spreads out the catharsis from one end of the harmony to the next.
He’s got a voice that doesn’t need a lot of outside help to sound crisp and gilded beside the melodic instrumental parts in this single, and to me, his is an artistry that demonstrates how important meticulousness is when making a credible pop song. His execution is what won me over the first time I heard this track, and once you play “Paint the Gray,” I think you’ll know why I say as much.
The groove in this single has such a perfect perch above the bassline it straddles that to even suggest arranging differently would be to ask if Cabo could just present an entirely different song for us and give it the same title. There’s nothing replaceable in this mix; from the quiet nudging of the drums to the thoroughly-bonded relationship the vocal and the tempo develop by the second act in “Paint the Gray,” this is about as lean and mean of a performance as we could ask for.
Despite his being a fresh face in the indie spotlight, my gut tells me this player doesn’t consider working filler into his sound an option when he records. Having lived a very colorful and exciting life before ever entering the recording studio, he knows how to manage self-control and ambition with equal attention, which is something a lot of his contemporaries would spend the better part of their early careers trying to figure out for themselves.
It isn’t difficult for me to understand why so many critics and listeners have taken an interest in Manny Cabo recently, and if you haven’t given his style a try, “Paint the Gray” is the right song to start with. With a mix centering on his dynamic lead vocal and a pace that never forces any element of the music to rush or urgently meet some impossibly virtuosic benchmark, Cabo can come into this performance relaxed and swaggering, which gives us both a clear feel for his emotions in this piece and more than a decent indication of what he could do in future offerings as well. I’d love for him to tackle something a bit more up-tempo in tone and narrative in his next release, but in any situation, I’ll still be keeping him on my radar this year.
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