Sarantos Keeps The Feet Tapping And Boots Dancing On Latest Single

Now here is a clever little country single. “Every Songwriter Needs To Spend Some Nights Here In Nashville” is the latest release from Sarantos. With a quick picking shuffle on the acoustic guitar, Sarantos explores the magic which is Nashville, TN. With many references interlaced throughout this track of Nashville’s past, and the greatest musicians to come from the city, Sarantos knows how to pull at the heartstrings of the classic Country fan. But, it’s not all classic country here. With this quick-tempo shuffle, we are exposed to the modern wonders and contemporary charm to come from the city. “Every Songwriter Needs To Spend Some Nights Here In Nashville, it’s just what you gotta do, to let the music come to you. It’s just what you got to do. Why don’t we stay a night or two?” With nods to the Grand Ole Opry, and Dolly Parton working 9 to 5, as some examples, Sarantos throws imagery into all his lyrics and keeps this mouthful of a song title, well in time with the syncopated drum beat. Throw in some fiddle to highlight the melody and plucked double bass, “Every Songwriter Needs To Spend Some Nights Here In Nashville,” keeps the feet
tapping and the boots dancing.

I really like this track, it’s quick, witty, and light-hearted. E”very Songwriter Needs To Spend Some Nights Here In Nashville,” is a nod to the inner songwriter in all of us. The inspiration is drawn from the rich history, and the joy brought to the listener with Sarantos’s choice of chords. Pay special attention here to the superlative snaps on the snare drum to build this rhythm and drive this track forward. Each frequency carries out across the listening field with clarity and crispness, while being blended together professionally to create that overall dynamic sound. This track would fit magnificently into any Country music playlist, whether streaming or on commercial radio. Sarantos knows how to write a catchy tune, with infectious hooks in his choruses, while blending crisp, dynamic instrumentation throughout.

–Lee Callaghan