The Light-Hearted Sound of Brickwall Jackson’s “Big Orange Guitar”

Brickwall Jackson’s “Big Orange Guitar” treats the listeners to a vibrant tapestry of sounds that traverse the realms of country, blues, and rock. John Hudak, Brickwall Jackson’s lead songwriter and guitarist reveals a dynamic range of emotions, from playful and upbeat melodies to introspective, heartfelt ballads. Brickwall Jackson invites us into a world where stories unfold with every note, and the only thing left is also wanting a “Big Orange Guitar!” 

“Big Orange Guitar” kicks off the album with a groovy, high-paced tune that sets the mood for movement. Featuring clever and witty lyrics such as “So you can kiss both sides of my / big ole orange guitar,” this song exudes playfulness. Hudak utilizes his southern twang and adlibs that enhance the overall country theme. It boasts soulful electric guitar riffs that establish a solid foundation for the rest of the track. 

“Happy Ain’t Happy” offers a more uplifting, bluesy piano accompanied by harmonies and guitars. While Hudak’s vocals maintain a fast-paced delivery, they occasionally get overshadowed by the intense, fervent instruments in the background.

“Porch Swings” presents a softer, calmer side to Brickwall Jackson’s repertoire, featuring a euphonious rhythmic guitar intro. Hudak’s vocals shine with clarity, conveying the sentiment of spending quality time with loved ones. The catchy melody complements Hudak’s vocals seamlessly. 

“Lovers Lullaby” showcases a beautiful chord pattern and progression, with subtle harmonies adding texture and depth to the otherwise stripped-down song. The guitar and riffs steal the spotlight, infusing “Lovers Lullaby” with character and charm. 

“When We’re Gone” introduces a rock and roll feel to the mainly countryside, bluegrass palette. It features some more dulcet harmonies that intertwine with Hudak’s lead vocals. Hudak’s voice displays impressive range with sustained belts, enriching the track’s musical palette. 

“The Bricks” opens with atmospheric background noise fading into a soothing guitar strum. Lyrically, Hudak tells a story about finding one’s way, with a light whistling adding an earthy, natural element to the otherwise processed sound. The communal chorus of singing and shouting midway through evokes the ambiance of a local bar, with voices blending in harmony. You can almost imagine the sounds of beer bottles clinking together and the joyous occasion of singing along to a beautiful, relatable tune.  

“May You Remain” features more electric guitars with a bold tone, complemented by Hudak’s echoey vocals. The song builds tension with punchy drums and mellow piano, culminating in a satisfying release. Hammond organs add a secular touch, enhancing the spiritual undertones. The final minute showcases the collective prowess of all instruments, creating a captivating conclusion. 

“Big Orange Guitar” stands as a testament to not take things so seriously. Throughout the album, Hudak’s vocals and skillful instrumentation weave an engaging narrative that resonates with listeners on a profound level, no matter their musical genre. This album leaves an indelible impression, solidifying Brickwall Jackson’s place in the musical landscape. 

By Mya Petryshyn