Urban chaos. Political discord. A growing pollution, both social and industrial, that seems inescapable. The loss of faith juxtaposed with
Hidden Beams might not be the only solo-powered experimental pop project making some productive noise in 2020, but if you
From those who have grown up in its boroughs to the millions who have familiarized themselves with its streets through
The elements that comprise the new single “Bang Bang” from McNally Waters, as well as its music video, aren’t unfamiliar
Steeped in the abrasive noise of a much more experimental act than their creators actually are, “In Dust We Trust”
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Songs with hand or hands in the title is nothing new. There’s “Hands” from Jewel. Styx’s “Too Much Time On
“Love is Free: The Writer’s Tale,” from the September release – Traveler Tales, by David Arn, is the most current
Proving to all the naysayers that rock is indeed fully functioning and not on life support, Chicago melodic rocker Mike
Where giants like Marvin Gaye and Prince laid the groundwork, Maurice frames the story, hook, line and sinker in the
Swirling guitars, decadent vocal harmonies and a curious beat that picks at us until we’re forced to get in sync
2020 has been good to Glorybots so far. His sophomore album, Invisible, struck gold with plenty of stateside critics, his profile
Few years in the new millennium have presented as much divisiveness and unrest on all fronts as 2020 has, but
ASHRR like to toe the line between darkness and light in their music, and in the new single “Waves,” they
Utilizing elements like tonality and an atmospheric melody isn’t a new idea in the hip-hop genre, but in the last
Rock, pop, hip-hop or country; in 2020, the best underground players are beyond genres altogether, and this is especially true
A lush vocal harmony is initially the only element in the master mix of Quianna Crute’s new single and music
It’s a stormy night outside of an old, fairly creepy looking mansion, but inside we find guitarist Doug Aldrich and
“Sins Of Me” by Billy Jeter is a captivating blues-folk single from the forthcoming album Shineye Landing, and it leans
Like the bright stage lights and heavenly clouds that we see in the opening shots of the video for Sharon
